Franz rogowski12/17/2023 ![]() The opening has Lubo playing a wild bear that’s eventually subdued, at which point he emerges from the animal costume in semi-drag, playing a jaunty tune on his harmonica and charming the spectators. Rogowski plays the title character, an entertainer going from town to town with his wife, three small children and other extended family members in horse-drawn carts, staging folkloric street performances to earn a modest living. The practice continued from 1926 to 1973. Becoming wards of the state in a foundation called Pro Juventate, the children were separated, re-educated and effectively stripped of their cultural identity before being put up for adoption. ![]() The ignominious chapter in European history concerns the “Kinder der Landstrasse” (“Children of the Road”) program, a Swiss government-sanctioned human rights violation under which Yenish children were forcibly removed from their parents - at that time reviled as “gypsies” - ostensibly over concern for their moral safety. Screenwriters: Giorgio Diritti, Fredo Valla, loosely inspired by the novel Il Seminatore, by Mario Cavatore Venue: Venice Film Festival (Competition)Ĭast: Franz Rogowski, Christophe Sermet, Valentina Bellè, Noémi Besedes, Cecilia Steiner, Joel Basman, Philippe Graber, Massimiliano Caprara Here, however, it’s the sprawling novelistic material that slips out of director Giorgio Diritti’s control. The German actor again brings searing magnetism to Lubo, playing a member of midcentury Switzerland’s nomadic Yenish community, whose family and peaceful existence are torn from him by national authorities in what amounts to an ethnic cleansing campaign. Franz Rogowski further cemented his status as one of Europe’s most chameleonic and adventurous screen actors with his highwire turn this year as a narcissistic film director in Ira Sachs’ Passages, the agent of chaos at the center of a love triangle that spins out of control. ![]()
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